As part of her practice since 2014, Bourke has developed a body of performance and short film works featuring Coneface, a performance alter ego whose face is covered by a long, semi-transparent cone narrowing perception and providing both protection and slight sensory deprivation for the effaced wearer. Navigation through light indication is a key aspect, similar to a camera. This motif was originally designed to refer to filtration devices developed with age or a dissociative state caused by technological over-stimulation in ever-advancing modern life. The artist uses this anonymised absurd figure to explore themes by activating thematically specific tableaux and guises, which often include site response to less conventional performance settings and the use of harness/suspension. Coneface continues to evolve, having appeared in numerous live and filmic events around Ireland, Italy and Sweden. Natasha is currently working on a feature length experimental film, with support of the Arts Council, called Concrete Keys featuring Coneface as the central figure in multiple guises, sites and states of suspension to poetically examine the individual’s place in a rapidly transforming vision of Institutional society. She is also working on a future ambitious site specific performance work with initial development support of the Cork City Council.